A Neapolitan soprano with an eclectic and rigorous training, bringing together a solid academic background and the great Italian vocal tradition.

Specialising in Baroque repertoire and the Neapolitan school of the eighteenth century, she combines an international concert career with a deep commitment to teaching, pairing the rigour of classical technique with modern voice science (Estill Voice Training).

Teaching

Sing Italian the way it is written

Twenty years of teaching experience and, since 2026, Visiting Professor at the Italian School of Middlebury College (Vermont, USA) for the Italian for Singers programme.

Teaching and diction
Biography

Training and vocal research

Piano diploma from the “S. Pietro a Majella” Conservatory in Naples, postgraduate degrees with highest honours in Chamber Music and in Singing for Musical Theatre, and a second-level Master in Early Music with Antonio Florio.

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Repertoire

Modern-era premieres

Soloist with La Cappella Neapolitana (Antonio Florio), the Nuova Orchestra Scarlatti and the Associazione Alessandro Scarlatti, with a number of modern-era premieres of unpublished seventeenth- and eighteenth-century scores.

Concert activity
Italian in opera is not merely a set of words: it is the instrument through which the voice takes shape and colour.
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